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-- you are using an outdated browser. upgrade your browser today or install google chrome frame to better experience this site. home / -- about / news / gallery / press / discography / schedule / video / audio / contact loading the player... follow me on twitter find me on facebook “it was a performance that had one slack-jawed with amazement at the audacity of berlioz's opium-fuelled masterpiece” the guardian “ - the wonderfully gifted principal guest conductor - delivered an experience of breathless beauty”. (stravinsky: rite of spring) the denver post “he is one of the major british occupants of a rostrum today and will be increasingly recognised as such.” the sunday telegraph “one can only marvel at the vigour and poetry of friday's phenomenal concert by the st paul chamber orchestra, led by the superb .” the star tribune minneapolis about download full biography i have been so fortunate to have met and worked with some truly great musicians who have shaped my life. i was a founding member and principal oboe of the chamber orchestra of europe for 21 memorable years. surely one of the greatest orchestras in the world, its philosophy is simple; the joy of making music together at the highest possible level and creating life long friendships that transcend national boundaries. there were many highlights, but some experiences stand out: the humanity of alexander schneider, (violinist of the legendary budapest string quartet and close friend of pablo casals); emotionally charged concerts with claudio abbado, who could shape the sound of the orchestra with a gesture; the revolution of working with nikolaus harnoncourt and being part of a beethoven symphony cycle, which – it is no exaggeration – changed our perceptions of how the music of the great "classical" composers should be performed; the warmth and complete conviction of paavo berglund. performing and recording sibelius symphonies with him, was simply being involved with a true master at work. “i always wanted to conduct but i am glad i waited. these 21 years were the best conducting lessons i could have imagined.” after a memorable concert with coe in paris in 2002 with claudio abbado i put my oboe in its box for the last time. watch the full video on youtube . my first major conducting commitment (and first love) was manchester camerata. i had 10 fabulous years with them as music director and i have nothing but admiration for their musicianship and friendship. working on a financial shoestring, they nevertheless always perform at the highest level of commitment, energy and quality. our beethoven symphony cycle is testimony to that. my work with camerata opened up invitations from other parts of the world. as artistic partner of the st. paul chamber orchestra in minnesota for 6 years and principal guest conductor of the colorado symphony, i have spent a lot of time making music in the us. conducting continues to take me to all corners of the globe, but whether i am performing in melbourne, hong kong, budapest or at home in the uk, i try to stay true to the “coe spirit” which has shaped me. i spent 7 years as music director with musikkollegium winterthur, now one of switzertland’s leading orchestras. it was an honour to follow in the distant footsteps of conductors such as richard strauss, furtwangler and busch, all of whom enjoyed relationships with mkw. my main commitments now are split between opera and the concert hall. as artistic director of garsington opera, i have a wonderful opportunity to shape the future of one of the uk’s great summer opera festivals. with orchestre de chambre de paris, i have an orchestra embracing the future on and off the stage, which has exciting partnerships with the théâtre des champs-élysées and the philharmonie and a commitment to engage in the cultural life of paris, in particular through innovative educational projects which reach thousands of children and adults across the paris region. more important than all of this – is my family, my 3 extraordinary children and my wife sally, whose love, support and musicianship (she is a wonderful cellist) has sustained me over the years. news april 2018 douglas conducts a world premiere by composer/pianist fazil say at théâtre des champs-élysées, as well as beethoven’s piano concert no. 3. march 2018 a welcome return to musikkollegium winterthur, where douglas was music director, to conduct vaughan williams fifth symphony. douglas’s recording with the great cellist gautier capuçon to be released. february 2018 douglas returns to the wonderful los angeles chamber orchestra for three concerts including haydn’s last symphony and a world premiere by american composer ellen reid. january 2018 in the studio douglas conducts the bbc symphony orchestra, to be broadcast at a later date by bbc radio 3. douglas teams up with fellow scot nicola benedetti for beethoven’s violin concerto at théâtre des champs-élysées with the orchestre de chambre de paris. december 2017 douglas conducts haydn’s the seasons to end 2017 with the orchestre de chambre de paris at the philharmonie de paris. it can be viewed free online here . gallery -- -- -- -- -- -- press orchestre de chambre de paris 2017 beethoven and beamish at théâtre des champs-élysées: “la rencontre internationale entre le prodige new-yorkais du piano et fin spécialiste de beethoven, le soliste américain jonathan biss et le grand orchestre de chambre de paris, sous la dynamique direction du sympathique écossais , l’un des meilleurs directeurs qu’ait connu l’ocp selon nous.” goûts et passions haydn the seasons at philharmonie de paris: “on oublie ou on néglige l’ocp, qui passe pour le parent pauvre des orchestres parisiens. c’est un tort: ses saisons de haydn viennent de le prouver. l’ensemble y a montré une belle homogénéité des pupitres et une capacité à maîtriser les grandes œuvres du répertoire – plus long que la création , le dernier oratorio de haydn exige beaucoup des musiciens. a le geste aussi sûr que généreux, situe l’œuvre à sa juste place, sans la tirer vers le romantisme – même si elle le prépare. la direction séduit par sa clarté et son énergie, excellant aussi bien dans les pages descriptives que dans les grands passages choraux: l’orage de l’eté, l’introduction de l’hiver sont trés évocateurs, le chœur final est grandiose. le chef écossais a aussi le sens de la narration, ce qui lui permet d’animer les différents tableaux – rien de fragmentaire ici.” didier van moere concertonet “la collaboration entre l’orchestre de chambre de paris et remonte à 2015, et leur fréquentation de la musique de haydn à la saison dernière avec les sept dernières paroles du christ, donné dans la salle de la cité de la musique (retrouvez-en notre compte-rendu). leur entente est audible dès le printemps alliant précision, légèreté, énergie et fougue. au centre de l’orchestre trône un pianoforte qui accompagne tous les récits. sans baguette, le chef parvient à unir l’orchestre et le chœur, soulignant les différentes dynamiques et phrasés de l’œuvre.” frédérique epin olyrix “un succès manifestement obtenu par la direction constamment inspirée et dynamique de soulevant avec enthousiasme les forces réunies de l’orchestre de chambre de paris, des solistes et du chœur accentus!” michel jakubowicz on magazine debussy, ravel, haydn and a world premiere by bruno mantovani at théâtre des champs-élysées: “c’était à la harpiste isabelle moretti d’assumer le rôle de soliste dans les deux œuvres de mantovani et debussy. s’acquittant de sa tâche avec une belle conviction, isabelle moretti trouvait en et l’orchestre de chambre de paris des partenaires parfaits. quant à ravel et haydn ils trouvaient en , galvanisant avec entrain les musiciens de l’orchestre de chambre de paris, un interprète idéal.” michel jakubowicz on magazine tour of new zealand and australia, october 2017 mendelssohn and schumann with the tasmanian symphony orchestra: “boyd brought a highly individual approach to mendelssohn…and ach

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Whois Information

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Domain name:
douglasboyd.co.uk

Registrant:
Harry Robson

Registrant type:
Unknown

Registrant's address:
45-51 Whitfield Street
London
Greater London
W1T 4HD
United Kingdom

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
Namesco Limited [Tag = NAMESCO]
URL: http://www.names.co.uk

Relevant dates:
Registered on: 14-Aug-2012
Expiry date: 14-Aug-2020
Last updated: 18-Aug-2016

Registration status:
Registered until expiry date.

Name servers:
ns0.phase8.net
ns1.phase8.net
ns2.phase8.net

WHOIS lookup made at 00:30:37 29-Nov-2017

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS douglasboyd.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Harry Robson

TYPE
Unknown

ADDRESS
45-51 Whitfield Street
London
Greater London
W1T 4HD
United Kingdom
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

  SPONSOR Namesco Limited [Tag = NAMESCO]

  CREATED 2012-08-14

  CHANGED 2016-08-18

STATUS
Registered until expiry date.

NSERVER

  NS0.PHASE8.NET 81.88.63.114

  NS1.PHASE8.NET 85.233.160.68

  NS2.PHASE8.NET 85.233.164.62

  NAME douglasboyd.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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